Last September, they released the single Black Beatles featuring Atlanta mainstay Gucci Mane, which was just another Rae Sremmurd single for a month or so. It wasn’t the downbeat relationship jams, however, that swept Rae Sremmurd from merely widespread to absolutely unavoidable. This time, added to the usual adolescent fodder to froth up any frat foam party, there were downbeat relationship jams and a weirder, darker sound. Keen to distance themselves from the accusations of “kiddie rap” and the comparisons to Kriss Kross levelled at them on the release of their debut album, 2015’s SremmLife (that they’re in their mid-20s but barely look out of their teens doesn’t help), the pair released a followup, SremmLife 2, last August. ![]() ![]() Rae Sremmurd burst into view in 2014 – topless, as per their signature look – with two singles, No Flex Zone and No Type, establishing their knack for a hashtaggable hook and a lite-but-hype hybrid of electro, trap and crunk.
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